Blow
Pros: Lead performance by Johnny Depp and Ted Demme’s direction
Cons: Penelope Cruz, the basic story somewhat familiar.
(This review originally appeared in different form on Epinions.com)
Consider this story: a young man comes from a modest background and aspires to make something of himself as most people do. His father tries to teach him about the value of hard work. But his advice goes unheeded. Instead the young man is attracted to the other side of the law. He soon becomes a focal point in his area of criminal expertise. But this will ultimately lead to his downfall.
That’s the story told in “Blow”, Ted Demme’s 2001 (final) film. It’s an entertaining story. But many experienced moviegoers will note the obvious similarities to works by cinematic masters like Scorsese (Goodfellas), De Palma (Scarface) and Paul Thomas Anderson (Boogie Nights).
Similarities to previous masterworks aside, “Blow” is a pretty good film in its own right for a couple reasons. One is superb direction by Demme, The other is a fantastic lead performance by Johnny Depp.
Blow tells the story of George Jung (Depp), who, as the film begins is a teenager living with his parents. His father (Ray Liotta) is a workingman while his mother is very materialistic. Jung sees his father do lots of backbreaking work for little money and does not want to follow in his footsteps. His father tries to tell him that “money doesn’t really matter”. Needless to say, his advice is unheeded.
In 1968, George is a young man who goes to California with his best friend. Out there he takes to lazing on the beach and soon meets some people who introduce him to a new lucrative world, the world of drug dealing.
First off George establishes himself as a mid-level pot dealer. He gets pretty successful at that until 1972 when he gets busted. He attempts to plead innocence with Bob Dylan lyrics and his claim that he “crossed an invisible line with a plant”. His plea fails and he is jailed. It’s in prison where he meets another inmate who introduces him to a more lucrative type of drug dealing, that of cocaine.
After getting out of prison, George attempts to establish himself as a cocaine dealer. And he becomes quite good at it. He has soon built up quite a “respectable” business. This business draws the attention of South American drug lord Pablo Escobar (Cliff Curtis). Escobar and Jung come up with a plan to import cocaine into the US. This is what would gain Jung his infamy, when he helps to establish the cocaine market in the US.
At the time of its release, Blow attracted quite a bit of controversy. Many people, especially those of the social conservative variety, claimed that it was too sympathetic in its portrayal of a drug dealer. I can’t really agree. It shows that Jung did do some bad things. But it never forgot that he was a human being. Plus, let’s not forget that many individual users choose to use the cocaine themselves.
Depp is superb. It’s easy to forget now after all the variations he’s played on Jack Sparrow for the past 12 year or so. But he’s truly an excellent character actor. He plays Jung as neither hero nor villain. But as man with both good and bad points.
Also great in the acting department are Liotta, Cliff Curtis as Pablo Escobar and Paul Reubens as a California drug dealer. However, the film’s weakest link in the acting department is Penelope Cruz. Cruz is pretty to look at. But her character here comes off as shallow and annoying. Maybe that’s how the character was in real life. But her constant screeching grated on my nerves after a while.
Also making the film a cut above is Demme’s direction. Demme, while clearly influenced by Scorsese, manages to make the film his own. He lets the tension in it unfold naturally and the atmosphere perfectly evokes the period it was set in. Also like the Italian American titan, his choice of music selections is well-done.
Blow, while not quite a full-fledged classic on the level of its cinematic forebears, is a well-done cinematic study of a complicated man.
