Pros: Likable characters.
Cons: Who are all Mary Sue types.
(This Review Originally Appeared On Epinions.com)
Tom Hanks “Larry Crowne” is what a meal at Hooters would be like if the waitresses wore regular waitress clothing. It goes down easy, much like the food itself at that chain. But it’s bland as hell and instantly forgettable.
“Crowne” is Hanks’ second effort behind the camera after 1996’s “That Thing You Do”. That movie, while also relatively lightweight as far as movies about musicians go, at least had some ambition and conflict to it. It wasn’t the edgiest movie ever. But it worked.
To the extent that “Crowne” does work, it’s on account of the fact that the movie has a heart. The titular character (played by Hanks) is a genuinely likable guy. We begin the film feeling sympathy for him. The problem is, he’s also kind of one dimensional.
As the film begins we see Crowne at work at his job as a manager at a Wal-Mart type retail store. It;s a dead-end job. But it pays good, Larry’s good at it and he seems to like it. Then he’s called to the break room for what he thinks will be his fourth consecutive selection as employee of the month. Instead he’s informed that his lack of a college degree renders him unfit for advancement within the company and so Crowne is sent packing.
Crowne maintains his sunny demeanor throughout this even as frustration is hinted from time to time. In some ways that can be endearing. In other ways, it gets annoying after a while. There’s time where we wish for Larry to cut loose, tell us how he really feels at being fired for what is at heart a ridiculous reason. Instead we don’t see it.
That’s one of the movies main problems: the characters are all what are commonly referred to as Mary Sue types. For the uninitiated that means “Completely flawless and perky”. The only character in here who could be considered a jerk in any way is Bryan Crnaston and he’s a total jerk. No depth to these characters at all.
The most interesting character in the film is George Takei as an economics professor. Takei plays up his Star Trek past in a way that doesn’t directly reference it. He’s easily the most fun of all the characters in this movie.
Crowne, based upon a recommendation from his neighbor (Cedric The Entertainer), decides to enroll at the local community classes. The classes he takes include the economics one taught by Takei and a public speaking one taught by Julia Roberts. It’s in the public speaking class where the romantic subplot gets introduced. Of course we know that Hanks and Roberts will end up together. Never a doubt as to that.
Roberts does nothing new in her role as the put upon teacher with a husband (Cranston) who spends his days surfing the web for porn while he claims to be writing.
Hanks direction here is workmanlike. He’s not a show-off when it comes to his work behind the camera. He presents the story in an easy to follow way, which is appropriate for it. No, the direction is not the problem with Larry Crowne. The main problems have to do with the script.
The premise of Larry Crowne isn’t a bad one per se. The main problem is that the premise is used in the service of what is at heart filler. Consider that Hanks co-wrote the aforementioned script with Nia Vardalos. Vardalos, who wrote the much overpraised My Big Fat Greek Wedding, specializes in writing cinematic bubblegum (and acting in it as well). It’s hard to tell whether it’s her or Hanks who’s responsible for the screenplays lack of conflict and one-dimensionality. At heart, the movie is fun. But there’s limited personality and no depth at all. I strongly suspect that a director like Cameron Crowe could have given this movie a lot more depth and more developed personality.
Larry Crowne isn’t a disaster. It’s entertaining enough to serve as an alternative to bottom of the barrel claptrap. But at heart it’s like the boss who constantly says “Come on people. Put a little PEP in your step!”. When a movie gets like that, most people will have little desire to see it more than once.